I just became the proud owner of a set of 705s with stands. Now I need to get them to be all they can be.
I am running them through a Dennon 2808 110w AVR, but they will be only used in 2 channel direct or pure direct mode for music only.
Question: Where would be a good starting point to set my sub's freq cut off at, and what tweaks would I maybe want to look into on settings on the amp like freq response ect? I know this is something I will have to tweak and play with for a while myself but I thought someone here could give me the benefit of his or her experience so I could have a good reference starting point.
Also I have an 8-point Audyssey calibration tool but I have only used this for the HT set-up on another set of speakers and was not sure if I wanted to use it in this application?
Thanks all
I am running them through a Dennon 2808 110w AVR, but they will be only used in 2 channel direct or pure direct mode for music only. Question: Where would be a good starting point to set my sub's freq cut off at, and what tweaks would I maybe want to look into on settings on the amp like freq response ect? I know this is something I will have to tweak and play with for a while myself but I thought someone here could give me the benefit of his or her experience so I could have a good reference starting point.
Also I have an 8-point Audyssey calibration tool but I have only used this for the HT set-up on another set of speakers and was not sure if I wanted to use it in this application?
Thanks all

I left them to large with that setting and on many of my recordings, it seems just right. When I run across a bad re-mix, I have been either setting it over from Pure Direct to standard, or even kick in the Audyssey setting. I wish I knew a good source for quality material?
It has been a long hunt-Vandersteen, Salk Song Towers, Totem Hawks, Polk LSI9, B&W 685&683, and the 805s along with MANY other wantabes ID and name brand, to numerous to list. I did keep a list :roll: with impressions of sound stage, definition, depth of soundstage, width of sound stage, dynamics, spaciousness, overall impression WAF, and equipment used along with PRICE$$$. Just for future reference
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