I've just spent a VERY frustrating evening using "Sound and Vision"'s new version of the Avia disk. Don't get me wrong...while the commentary borders on cutesy, it's a far better production and written in easy-speak so that common man can finally understand what it's all about without having to join a forum and read the archives for a week. :=)
They actually explain some goodies like the diff between composite, S-video, and component outputs, etc. They have a section explaining about the sound meter and how it works. It contains a section for 6.1. And for those who don't want cutesy and want just the tests, you can menu ahead. All-in-all it is a good re-do, and I think Avia was smart to go with marketing it thru S&V as they havn't done a smash-up job of getting the product out..even BB doesn't have it.
My frustration lies with the sub..it seems we pay mucho payola to get these big hunks and then we calibrate them down so as to not hear them. Am I missing something here? Obviously I like to set them lower for music as I don't like an excessive amount of bass in my "normal" music (not counting beer-busts with Bob Seeger or my operatic performances with Queen in the privacy of my home...). But on movies with lots of special effects I want good, strong, clean, butt-galloping bass..and my two new SVS 20-39CS's do the trick. But after calibration I'm down to clean, "nice" bass. But, like Tina said, "sometimes I like it...", but, I'm digressing again..
Do you jack yours up much for movies? BE HONEST. You're slipping the Pod Race into your DVD and you pick up your remote to tweak it up a bit and.......HOW HIGH DO YOU GO??
Is this just becasue I've finally got clean, distortion-free bass and I'm overdosing? Will there come a time when my lust for a vibrating derriere will recede? Will we all develop permanent nosebleeds?? (My hub swears his blood pressure goes up since we got the SVS's..) Was it only the champagne and tomorrow I won't be this entralled??
Over and Out
They actually explain some goodies like the diff between composite, S-video, and component outputs, etc. They have a section explaining about the sound meter and how it works. It contains a section for 6.1. And for those who don't want cutesy and want just the tests, you can menu ahead. All-in-all it is a good re-do, and I think Avia was smart to go with marketing it thru S&V as they havn't done a smash-up job of getting the product out..even BB doesn't have it.
My frustration lies with the sub..it seems we pay mucho payola to get these big hunks and then we calibrate them down so as to not hear them. Am I missing something here? Obviously I like to set them lower for music as I don't like an excessive amount of bass in my "normal" music (not counting beer-busts with Bob Seeger or my operatic performances with Queen in the privacy of my home...). But on movies with lots of special effects I want good, strong, clean, butt-galloping bass..and my two new SVS 20-39CS's do the trick. But after calibration I'm down to clean, "nice" bass. But, like Tina said, "sometimes I like it...", but, I'm digressing again..
Do you jack yours up much for movies? BE HONEST. You're slipping the Pod Race into your DVD and you pick up your remote to tweak it up a bit and.......HOW HIGH DO YOU GO??
Is this just becasue I've finally got clean, distortion-free bass and I'm overdosing? Will there come a time when my lust for a vibrating derriere will recede? Will we all develop permanent nosebleeds?? (My hub swears his blood pressure goes up since we got the SVS's..) Was it only the champagne and tomorrow I won't be this entralled??
Over and Out



but in general I would second Bruce and ThomasW.
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