Prior to committing to a multi-channel pre-amp (RSP-1066), I’ve been studying the specifications and user manuals for both the Rotel RSP-1066 and very new RSP-1098.
1. Some observations from RSP-1098 manual:-
(a) On page 13 in the RSP-1098 manual it has an explicit paragraph: " . . . Normally the RSP-1098 converts analog inputs to digital signals. // . . . // Alternatively, there is an analog bypass surround mode which routes 2-ch analog inputs to the directly to the volume control and pre-amp outputs, bypassing the digital processing entirely for pure analog stereo."
(b) then on page 14, regarding the "MULTI Inputs", it says: These inputs bypass all digital processing in the RSP-1098 and are routed directly to the volume control and pre-amp outputs." (note the qualifier: "in the RSP-1098").
(c) Finally, on the specification page at the back, it says: "Frequency response: 10Hz-120kHz, +-3dB for analog bypass; 10Hz-95kHz, +-3dB for digital input.
2. Now, some contrasting observations from RSP-1066 manual:-
(a) firstly, there’s no explicit mention of "pure analog" at all from the "Multi Inputs".
(b) And most tellingly, on the specification page, under "Frequency response, it says:- "10Hz-95 kHz +- 1dB for line-level; 10Hz-20kHz for digital level".
I note that for the RSP-1098’s digitized inputs the frequency response also only goes out to 95kHz, which is exactly the same upper cut-off limit, surprise, surprise, as the RSP-1066’s "line-level" inputs (whatever that means!).
Perhaps Rotel is hiding something? And why the difference in the language terminology used? Another observation is that in the RSP-1098’s manual, the explicit justification for the "Multi-inputs" is to maintain the purity and frequency response of DVD-Audio and SACD analog input sources. HOWEVER, for the RSP-1066, the justification for the 6.1 "Multi-inputs" is to be future-proofed for "surround formats" — which doesn’t mean very much.
In short, does anyone here REALLY know what is going on inside the RSP-1066, as the lack of a pure analog signal path all the way from the "Multi-inputs" out to the pre-outs would be a big deal-breaker for me. I would obviously really like some affirmative positive assurances in this regard.
Martin.
1. Some observations from RSP-1098 manual:-
(a) On page 13 in the RSP-1098 manual it has an explicit paragraph: " . . . Normally the RSP-1098 converts analog inputs to digital signals. // . . . // Alternatively, there is an analog bypass surround mode which routes 2-ch analog inputs to the directly to the volume control and pre-amp outputs, bypassing the digital processing entirely for pure analog stereo."
(b) then on page 14, regarding the "MULTI Inputs", it says: These inputs bypass all digital processing in the RSP-1098 and are routed directly to the volume control and pre-amp outputs." (note the qualifier: "in the RSP-1098").
(c) Finally, on the specification page at the back, it says: "Frequency response: 10Hz-120kHz, +-3dB for analog bypass; 10Hz-95kHz, +-3dB for digital input.
2. Now, some contrasting observations from RSP-1066 manual:-
(a) firstly, there’s no explicit mention of "pure analog" at all from the "Multi Inputs".
(b) And most tellingly, on the specification page, under "Frequency response, it says:- "10Hz-95 kHz +- 1dB for line-level; 10Hz-20kHz for digital level".
I note that for the RSP-1098’s digitized inputs the frequency response also only goes out to 95kHz, which is exactly the same upper cut-off limit, surprise, surprise, as the RSP-1066’s "line-level" inputs (whatever that means!).
Perhaps Rotel is hiding something? And why the difference in the language terminology used? Another observation is that in the RSP-1098’s manual, the explicit justification for the "Multi-inputs" is to maintain the purity and frequency response of DVD-Audio and SACD analog input sources. HOWEVER, for the RSP-1066, the justification for the 6.1 "Multi-inputs" is to be future-proofed for "surround formats" — which doesn’t mean very much.
In short, does anyone here REALLY know what is going on inside the RSP-1066, as the lack of a pure analog signal path all the way from the "Multi-inputs" out to the pre-outs would be a big deal-breaker for me. I would obviously really like some affirmative positive assurances in this regard.
Martin.
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