I thought that I'd share what I've been up to since we last had a discussion about power amps.
If you recall, I finally took the plunge and installed a pair of Bryston 7B to drive my N802s. What great amps and what an improvement in the handling of the speakers!
Well, after that, I figured that as much as I liked my Sony 9000ES pre/pro there was more to be had by putting in a dedicated preamp. I sat on the fence and pondered this for a long time and finally got a Sonic Frontiers Line 3. That too is great. I think the thing that got me about the SF was that it was always described as neutral and very clean and it lives up to its reputation.In addition, it has the SSP loop so that it exists in the system with the Sony perfectly.
I really didn't want have a lush, warm tube sound but wanted to lose some of the digital edge that I could hear. Well, when I compare the Sony to the SF Line 3 it's pretty much a carbon copy of the sound balance that the Sony presents but with the HF grit gone. Another benefit is the improvement in width and depth of the sound stage.
Knowing that the front end of the system has been a little lacking, that was the next area that I started to look at. While I was in West Palm Beach, when all the election shenannigans were going on, I had the chance to listen to a Sony SCD-1 feeding a Krell 250 amp and preamp combo driving a pair of N802s. Well the Krell amp didn't do a good job with the woofers of the N802s but I could hear the beautiful sounds of the SCD-1. I was very smitten by this and have been contemplating the next moves for the front end of the system.
My big hang up with the SCD-1 is that I don't know where the SACD thing is going, I hear people adding external DACs to it for redbook CD and I'm not really ready to go back to a single play transport for a lot of my music. So, I decided that I'd add an external DAC to handle the digital from my Sony DVP-7700 and CX555ES changer.
I chose the Perpetual Technologies P-3A DAC and P-1A dejitter/DSP engine with a third party HD power supply. The P-3A is an 24/96 upsampling converter that will handle AES/EBU, coax and Toslink. The P-1A is a SHARC DSP base dejitter unit that also has the ability to enhance the basic signal and perform speaker and room correction with the addition of software. These units look to be upgradeable to 128k sample frequency and DSD formats so, I hope that when/if a universal transport becomes available the DAC system may be able decode SACD and possibly DVD-A as well. Another nice thing is that you can get the DAC and DSP separately which does spread out the pain of purchasing if you don't want to go all the way at once.
How does it sound?? If your interested I'll let you know after I get things installed and the DAC system has a chance to break in. As for deals on the PT gear, I wasn't able to get much off of list but the vendor did throw in a DHLabs D75 digital cable and gave me a good price break on a 3-meter pair of DHLabs AirMatrix cables to go from the Line 3 to the Brystons.
If multi-channel gets sorted out I'll probably embrace that too but for now I'm concentrating on 2-channel for music. My 2-channel rig is happy as a clam in the middle of my HT and when I crank-up a movie I'm just thrilled with the sound.
If you recall, I finally took the plunge and installed a pair of Bryston 7B to drive my N802s. What great amps and what an improvement in the handling of the speakers!
Well, after that, I figured that as much as I liked my Sony 9000ES pre/pro there was more to be had by putting in a dedicated preamp. I sat on the fence and pondered this for a long time and finally got a Sonic Frontiers Line 3. That too is great. I think the thing that got me about the SF was that it was always described as neutral and very clean and it lives up to its reputation.In addition, it has the SSP loop so that it exists in the system with the Sony perfectly.
I really didn't want have a lush, warm tube sound but wanted to lose some of the digital edge that I could hear. Well, when I compare the Sony to the SF Line 3 it's pretty much a carbon copy of the sound balance that the Sony presents but with the HF grit gone. Another benefit is the improvement in width and depth of the sound stage.
Knowing that the front end of the system has been a little lacking, that was the next area that I started to look at. While I was in West Palm Beach, when all the election shenannigans were going on, I had the chance to listen to a Sony SCD-1 feeding a Krell 250 amp and preamp combo driving a pair of N802s. Well the Krell amp didn't do a good job with the woofers of the N802s but I could hear the beautiful sounds of the SCD-1. I was very smitten by this and have been contemplating the next moves for the front end of the system.
My big hang up with the SCD-1 is that I don't know where the SACD thing is going, I hear people adding external DACs to it for redbook CD and I'm not really ready to go back to a single play transport for a lot of my music. So, I decided that I'd add an external DAC to handle the digital from my Sony DVP-7700 and CX555ES changer.
I chose the Perpetual Technologies P-3A DAC and P-1A dejitter/DSP engine with a third party HD power supply. The P-3A is an 24/96 upsampling converter that will handle AES/EBU, coax and Toslink. The P-1A is a SHARC DSP base dejitter unit that also has the ability to enhance the basic signal and perform speaker and room correction with the addition of software. These units look to be upgradeable to 128k sample frequency and DSD formats so, I hope that when/if a universal transport becomes available the DAC system may be able decode SACD and possibly DVD-A as well. Another nice thing is that you can get the DAC and DSP separately which does spread out the pain of purchasing if you don't want to go all the way at once.
How does it sound?? If your interested I'll let you know after I get things installed and the DAC system has a chance to break in. As for deals on the PT gear, I wasn't able to get much off of list but the vendor did throw in a DHLabs D75 digital cable and gave me a good price break on a 3-meter pair of DHLabs AirMatrix cables to go from the Line 3 to the Brystons.
If multi-channel gets sorted out I'll probably embrace that too but for now I'm concentrating on 2-channel for music. My 2-channel rig is happy as a clam in the middle of my HT and when I crank-up a movie I'm just thrilled with the sound.
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