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Birdy,
Could you post the link to the other thread for reference?
I tried it when my 805's were brand new and the bass reflections off my bare walls were driving me crazy. Didn't keep them that way long enough to make any judgment, but if I remember correctly it did make the speaker disappear from my being able to localize where the sound was coming from.
Birdy,
Could you post the link to the other thread for reference?
I tried it when my 805's were brand new and the bass reflections off my bare walls were driving me crazy. Didn't keep them that way long enough to make any judgment, but if I remember correctly it did make the speaker disappear from my being able to localize where the sound was coming from.
I've tried it with my 703s, but in my (less than ideal) listening room, I find that I prefer a slight toe-in instead. It's easy for me to implement so I may give it another shot, but I recently tried and didn't like it quite as much as a gentle toe-in.
Some horticultural study is required! :W That plant is a spider plant (Clorophitum comosum) not Cannabis sativa. In latin america the plant is known as mala madre (bad mother) because it reproduces by sending out shoots, thus, it looks like its kicking out its offspring!
Here are pictures of cannabis:
Didn't see the right answer options for me. I have the axis crossed slightly behind my listening position. It works best for me , in my listening area , with my speakers . The axis crossing in front just turns the sound into a chaotic mess-for me .
Lee
Marantz PM7200-RIP
Marantz PM-KI Pearl
Schiit Modi 3
Marantz CD5005
Paradigm Studio 60 v.3
Back to the subject at hand, It depends on the speakers you have. With XT's toe in is essentially not necessary given the speaker's inordinately wide dispersion. Mine are probably 5 degrees off perpendicular to the wall.
I initially had my mains point a foot by my ears from my listening position. I tried this new placement and found a light lost to the width of the sound, but the vocals are slightly more defined. Although this may be fine, i think it also shrunk and pushed the presence of the singer further away.
Some horticultural study is required! :W That plant is a spider plant (Clorophitum comosum) not Cannabis sativa. In latin america the plant is known as mala madre (bad mother) because it reproduces by sending out shoots, thus, it looks like its kicking out its offspring!
Here are pictures of cannabis: http://groups.myspace.com/index.cfm?...b-88833df46aa3
Yes I know it was a joke, thanks for the education :T
What is Blumlein?
Farming looks mighty easy when your plow is a pencil, and you're a thousand miles from the corn field."Dwight D. Eisenhower
I tried it yesterday. I listened to a few songs, nothing long term. Imaging was about the same as my usual setup which is abotu 10 degrees of toe in with one exception.
I listened to a few tracks from Roger Waters "Amused to Death" which uses Q Sound recording. If set up properly, there are parts that sound like they are comming from next to you or even behind you. These effects went away when I used the Blumlein setup.
I read somewhere that if you set up your system so that Q Sound works, your toe in and placement will be where it should be. Sounds right to me as teh imaging always seems to be spot on.
Didn't see the right answer options for me. I have the axis crossed slightly behind my listening position. It works best for me , in my listening area , with my speakers . The axis crossing in front just turns the sound into a chaotic mess-for me .
My speakers are aimed just a bit behind my listening position as well. Probably should've been an additional choice in the poll.
Being the open minded enthusiast that I am , I'll probably try Professor Kal's reference to the Blumlein method this weekend to see what, if any, difference it makes.
If this is in reference to speaker toe in, are they saying to point the speakers directly at the listener's face. Is it to face them at a point 1,2,3, feet in front of the listener. I can't find anything on speakers only microphones. Will somebody please explain what we are suppose to be doing here.
Here is a photograph of Alan Blumlein. You will notice that he has a stubby nose, which is a consequence of having the focal point of his speakers too close to his ears.
My old setup was to have the speakers aimed to cross just behind me and the imaging etc was fine. I think the Bumline comes together best with really simple recordings such as a singer and guitar. I say I am using Bumline but in actual fact I am more accurately using a bum line as that is pretty much where the speakers are aimed, assuming that my bum is directly below my head in the seated position.
I bet Blumlein copped alot of flak at school for that name.
Mac 8gb SSD Audirvana ->Weiss INT202 firewire interface ->Naim DAC & XPS2 DR->Conrad Johnson CT5 & LP70S-> Vivid B1s. Nordost Valhalla cables & resonance management. (Still waiting for Paul Hynes PS:M)
Siamese :evil: :twisted:
Never mind I found it. The answer is just about 6 inches to 1 foot in front of your nose. Focal point of your speakers that is.
OK. I did some research and asked around for specific references to this technique. What I found out was that, although it was trickled down from Blumlein's ideas, it was really promoted by Hugh Brittain. (Thank you, John Atkinson and Floyd Toole.) I tried to access his papers (especially the Brittain/Leakey paper) but they are not available free.
So, I guess, I need to reform my memories and we should rename this thread.
What other speaker positioning placements have people tried that has worked well for them?
I pointed my speakers a foot behind my listening position and found it to keep the same singer's image and have more dispersed sound.
My speakers are 9' apart, 9' from the listening position. They are 2 3/4' from the side wall and 4 3/4' from the front wall. I have tried moving the speakers in all directions and tried parallel to toe in to a foot in front of the listening position and 2' behind the listening position works best for me in my room.
I have bass traps in the corners and at the first reflection points on the side.
I have a cd rack and rear floor standing speakers on stands behind me to disperse reflections also.
Last edited by Relentless; 16 February 2009, 12:48 Monday.
I refuse to tip-toe through life only to arrive safely at death...
Lou
Jim Smith, the Avantgarde Speaker guru, suggests in his book "Get Better Sound" that the axes should cross about 24 inches behind the head (i.e. listening position). This seems to work for me and is close to what my dealer recommends (18-21").
A question that occurs to me is: Do you do something the same with the rear speakers (in a 7.1 system) and if so, where should the axes cross for those speakers? Using Jim Smith's model, would that be 24'' in front of the head? For Blumlein, would that be 6-12" behind the head (listening position)? I would guess that my rear speakers are at a 135 degree angle off centreline.
It occurs to me that the technique that works best may well depend on the type of music most listened to. Any thoughts on what would work best with classical music? Rock music?
For what it's worth, I have 802Ds (front), HTM2D (center), 802N (sides) and 805S (rears) incidentally with Classe CAM-400 driving the front 3 speakers and Classe 2200 driving the 4 surrounds.
...A question that occurs to me is: Do you do something the same with the rear speakers (in a 7.1 system) and if so, where should the axes cross for those speakers? Using Jim Smith's model, would that be 24'' in front of the head? For Blumlein, would that be 6-12" behind the head (listening position)? I would guess that my rear speakers are at a 135 degree angle off centreline...
I have my rears (803D's) crossing about 0.5' behind my reclined head matching my fronts (802D's) that cross about 0.5' in front of my head. Have a 5.1 system also not that that matters.
I've spent countless hours positioning my speakers to get the balance of imaging, spacial depth, and frequency coherence and I like mine aimed behind my head about 15" or so.
Jim Smith, the Avantgarde Speaker guru, suggests in his book "Get Better Sound" that the axes should cross about 24 inches behind the head (i.e. listening position). This seems to work for me and is close to what my dealer recommends (18-21").
A question that occurs to me is: Do you do something the same with the rear speakers (in a 7.1 system) and if so, where should the axes cross for those speakers? Using Jim Smith's model, would that be 24'' in front of the head? For Blumlein, would that be 6-12" behind the head (listening position)? I would guess that my rear speakers are at a 135 degree angle off centreline.
It occurs to me that the technique that works best may well depend on the type of music most listened to. Any thoughts on what would work best with classical music? Rock music?
For what it's worth, I have 802Ds (front), HTM2D (center), 802N (sides) and 805S (rears) incidentally with Classe CAM-400 driving the front 3 speakers and Classe 2200 driving the 4 surrounds. Jim
Cool, I have a similar system 802Ds (front and center), 802N (sides) and 7NT (rears) incidentally with Classe CA5200 driving the five 802 speakers and Classe 2100 driving the rear surrounds
3 CAM-400 nice but I don't want to spend an other $15,000
Farming looks mighty easy when your plow is a pencil, and you're a thousand miles from the corn field."Dwight D. Eisenhower
Was out of the net for a time due business and so unable to follow my own thread..... :roll: :roll: :roll:
The results, till now, are very "politically correct", 33% for each proposition :B :B :B
One could say that it is a controversial subject.
Glenee sorry I didn't answered your question.
Alaric, pay attention when you vote!!!!! :B :B :B :B otherwise the judges have to recount votes and you could get a totally different result.... :B :B
Wettou, sorry also I didn't answer, tks for providing the answer.
DM3000owner, tks for your experience. Amused to death is a great album. Never heard something coming from behind me in my actual configuration; clearly I miss something. But I must confess my actual accoustic is rather poor and the place is difficult to manage. Hopefully the new place will be better.... :lol: :lol: :lol:
Kal, tks for the research. Too bad there is nothing to read about speakers position concerning Blumlein
AudioNote UK advocate an angled corner set-up for their speakers. It might be worth searching under AudioNote, Audio Note, and Peter Qvortrup.
David
Yes they do - but their speakers are specifically designed to get bass extension from corner loading and presumably are built to have suitable dispersion characteristics for this arrangement. I'd be very surprised if this works well with any B&W speakers though I could be wrong.
Yes they do - but their speakers are specifically designed to get bass extension from corner loading and presumably are built to have suitable dispersion characteristics for this arrangement. I'd be very surprised if this works well with any B&W speakers though I could be wrong.
That's true. I was not thinking of the corner location for B&W's so much as the possibility of finding some useful discussion on aiming the speakers to cross in front of the listener.
G'day Members. As part of our efforts to assist new and seasoned members I am starting this thread, to be used as a quick reference guide.
I am sure that there will be some missing from this original list so in that case I will ask that members can post the words and there meaning/explanations...
UPDATE: Since we are doing a new Q&A, I thought I would bump this up in case anyone missed it the first time. A good way to see what has already been asked.
Hello everyone,
As you know, Dave Nauber offered an intimate Q&A with the members of Club Classe....
Several of us who are "into HT" and who have been meeting off-and-on for several years in the Houston area are planning an HT meet for mid to late October in the Houston area.
We've tried several formats, and meeting at a vendor location for product demos (arranged with the...
This is one of those tests and write ups I've ben wanting to get around to for some time, but there always seems to be something more immediately urgent to distract me from the effort. Well, there still are those things, but I figured it's time to get this done because I'm...
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