Originally posted by rickc
Historically stereo was described by a system that utilized THREE channels NOT two. So in theory a multi-channel system, like the SSP-800, can be superior to any two-channel system given that the same level of care and attention to detail, design and construction is paid to it. What REALLY separates the audio performance of a two-channel pre-amplifier from a multi-channel pre-amplifier is cost and cost alone. Yes, that's it!
Don't you think Classe' has the wherewithal to build a multi-channel pre-amplifier that consists of all the exact same hardware and circuit topology that a two-channel pre-amplifier has? Of course they do. They did that with the SSP-800 and in so doing leapfrogged over the CP-700. Now Classe' has the opportunity to leapfrog (again) over the SSP-800 with the introduction of the CP-800 and simultaneously appease stalwart consumers that are guided by perception and not reality.
The reality is THREE channels are better than two and I have yet to hear any two-channel system (and I have heard some of the very best anywhere) that can faithfully approximate a 100+ piece full orchestra, PERIOD. Two-channel, as good as it has become doesn't come close enough and it never will. THAT's why I limit most of my listening to Jazz tracks on a pair of 800D because they can do a decent enough job to make the presentation a believable one. They are, however, in a paired configuration, insufficient with Classical performances.
Why do you suppose Abbey Road Studios, among others, use three channels for these type of recordings? It's because three is better than two when reproducing "stereo". The performance of a multi-channel system is ONLY limited to budget NOT to design.
Listen and you will hear as John Debney scores a sound track on THREE 800D NOT TWO. (The third is to the left and can't be seen but it is there I assure you.) B&W says listen and you will see. I say open your mind and you will hear.
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