Last night I put on the bonus DVD that accompanies the Neil Young “Prairie Wind” CD. On the main menu I noticed a high resolution audio option. It’s an audio-only 24-bit 96 kHz recording of the whole of the “Prairie Wind” album. The quality of this recording was so good that I listened to this audio track rather than watching the film (which I learnt afterwards has a 24-bit 48 kHz soundtrack).
This morning I compared and contrasted the “Prairie Wind” CD to the DVD, just to make sure that the wine wasn’t responsible for my revelation. I switched backwards and forwards between my two players – the CD in my Rotel RCD-855 and the DVD in my Oppo 971 + LFD DAC3 external DAC. The difference in sound quality between the two recordings was dramatic. Basically the DVD recording was much richer. I also played the two discs sequentially in the DVD player to make sure that the differences in the sound quality weren’t due to differences in the sound of the equipment. They weren’t.
In summary, I concluded that a 24-bit 96 kHz recording is significantly superior to the Redbook Standard of 16-bit 44.1 kHz.
This discovery adds weight to a suspicion that I’ve had for a while. Namely, if you want to improve the quality of your sound system the major gains are achieved by:
• using better source material, e.g. 24-bit 96 kHz recordings or CDs from a quality studio, or
• getting better speakers, or
• improving the acoustics in your room, or
• implementing a combination of all three.
Far smaller gains are achieved through upgrading CD/DVD players, DACS, preamps, amps, and cables. For example, the differences between a 24-bit 96 kHz recording and a 16-bit 44.1 kHz recording are far greater than the differences between the DAC in my Oppo or my LFD DAC3 or the Benchmark DAC1 which I auditioned a while ago.
Nigel.
This morning I compared and contrasted the “Prairie Wind” CD to the DVD, just to make sure that the wine wasn’t responsible for my revelation. I switched backwards and forwards between my two players – the CD in my Rotel RCD-855 and the DVD in my Oppo 971 + LFD DAC3 external DAC. The difference in sound quality between the two recordings was dramatic. Basically the DVD recording was much richer. I also played the two discs sequentially in the DVD player to make sure that the differences in the sound quality weren’t due to differences in the sound of the equipment. They weren’t.
In summary, I concluded that a 24-bit 96 kHz recording is significantly superior to the Redbook Standard of 16-bit 44.1 kHz.
This discovery adds weight to a suspicion that I’ve had for a while. Namely, if you want to improve the quality of your sound system the major gains are achieved by:
• using better source material, e.g. 24-bit 96 kHz recordings or CDs from a quality studio, or
• getting better speakers, or
• improving the acoustics in your room, or
• implementing a combination of all three.
Far smaller gains are achieved through upgrading CD/DVD players, DACS, preamps, amps, and cables. For example, the differences between a 24-bit 96 kHz recording and a 16-bit 44.1 kHz recording are far greater than the differences between the DAC in my Oppo or my LFD DAC3 or the Benchmark DAC1 which I auditioned a while ago.
Nigel.
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