I own an NAD M22, and from time to time follow reviews of this amplifier, including recently comparative reviews of the M22 and the Benchmark AHB2. Some of these reviews have favored the AHB2, some have called it a draw and sent back the AHB2, given the pricing and power differences. Most who have compared the M22 with a dual mono NC400 setup have preferred the M22, which could be due to a variety of factors, including the SMPS regulation, headroom, and front end design.
A key point of the M22 design is an adaptive input amplifier that controls the continuous clipping level, and regulates the amplifier to 250W continuous power rating (for IHF reasons, I'm sure) at 8 ohm and 4 ohms. OTOH, brief clipping power is allowed to be as high as the rails support, but it does still pre-clip the waveform, so that there is no loss of carrier frequency stability (when you clip a self oscillating CLASS D amp, the carrier frequency drops to the frequency of the audio signal- there is a frequency shift before and after the actual hard clip that produces audible spurious high frequency components, and it's quite desirable to suppress this, if one plans on running the amp up to clipping at all often).
You should be able to download the NAD white paper from my Public Dropbox folder:
It is my intention to do some extensive bench testing on my M22 once I get all the new equipment in- probably sometime in late January or February. I suspect it will be instructive. I'm also still hoping to see a review in Stereophile some day... but who knows, I may beat them to the punch!
A key point of the M22 design is an adaptive input amplifier that controls the continuous clipping level, and regulates the amplifier to 250W continuous power rating (for IHF reasons, I'm sure) at 8 ohm and 4 ohms. OTOH, brief clipping power is allowed to be as high as the rails support, but it does still pre-clip the waveform, so that there is no loss of carrier frequency stability (when you clip a self oscillating CLASS D amp, the carrier frequency drops to the frequency of the audio signal- there is a frequency shift before and after the actual hard clip that produces audible spurious high frequency components, and it's quite desirable to suppress this, if one plans on running the amp up to clipping at all often).
You should be able to download the NAD white paper from my Public Dropbox folder:
It is my intention to do some extensive bench testing on my M22 once I get all the new equipment in- probably sometime in late January or February. I suspect it will be instructive. I'm also still hoping to see a review in Stereophile some day... but who knows, I may beat them to the punch!
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