Building up the grille and felt tweaks is my first task after Starbucks on Saturday morning. I don't anticipate changing anything in the existing crossover. IF, for some reason, we needed to pull down the top end above 8 kHz, all that would take is adding an R/C zobel at the output to the tweeter; it would likely be something like 10 ohms + 1 uF. I'll do a sim just for fun today, maybe at lunch. But my experience with grille cloths and also Stereophile's measurements on the Indra show we "should" be fine with the grilles in place, as regards measured response.
in my own listening with the TC Konnkt 8 Firewire audio interface (used for measurement), which uses the same JET PLL firewire interface chip as the Weiss DACs, it doesn't sound hot to my 63 year old ears, but I'm sure you get the qualification in that statement. I think the bit of a bump in the response around 16-17 kHz is due to reflections from the inside of the grille panel- which actually was installed for all the previous month's measurements. I like installed being just the magnets hug it firmly in place! :W
SO, I should have some time to work on the second cabinet this weekend- while GF's away, the mice will play. It would be a good stretch goal to have both put together and assembled by next weekend.
I also have a new Cambridge Audio 851e preamp on the way- my colleague in Europe/partner in audio crime was demoing at home a Pass XA100.5 and Cello Chorale Preamp, thinking he would likely just take the Pass amp, but in the end he found he preferred the Cello in the system, especially for listening at low to moderate levels, which with the TotalDAC alone uses 30 dB of attenuation, but with the Cello Preamp it can be set for nominal output, and attenuate analog. He previously had another high end preamp, for which the TotalDAC by itself seemed superior. So, I'm going to try the new version of my favorite budget preamp, the older Cambridge Audio 840e (I have one, but frequently have problems with the relay ladder volume control at the higher gain settings- need to send it in for work. The new 851e uses an R/2R multiplying DAC as a precision variable resistor/attenuator for an electronic volume control with high precision, and it overall has the distortion performance also improved by an order of magnitude, plus three balanced line inputs- it's my kind of configuration- as long as it sounds good!
It's not audio jewelry, but if it sounds good in the system, I'll be happy.
in my own listening with the TC Konnkt 8 Firewire audio interface (used for measurement), which uses the same JET PLL firewire interface chip as the Weiss DACs, it doesn't sound hot to my 63 year old ears, but I'm sure you get the qualification in that statement. I think the bit of a bump in the response around 16-17 kHz is due to reflections from the inside of the grille panel- which actually was installed for all the previous month's measurements. I like installed being just the magnets hug it firmly in place! :W
SO, I should have some time to work on the second cabinet this weekend- while GF's away, the mice will play. It would be a good stretch goal to have both put together and assembled by next weekend.
I also have a new Cambridge Audio 851e preamp on the way- my colleague in Europe/partner in audio crime was demoing at home a Pass XA100.5 and Cello Chorale Preamp, thinking he would likely just take the Pass amp, but in the end he found he preferred the Cello in the system, especially for listening at low to moderate levels, which with the TotalDAC alone uses 30 dB of attenuation, but with the Cello Preamp it can be set for nominal output, and attenuate analog. He previously had another high end preamp, for which the TotalDAC by itself seemed superior. So, I'm going to try the new version of my favorite budget preamp, the older Cambridge Audio 840e (I have one, but frequently have problems with the relay ladder volume control at the higher gain settings- need to send it in for work. The new 851e uses an R/2R multiplying DAC as a precision variable resistor/attenuator for an electronic volume control with high precision, and it overall has the distortion performance also improved by an order of magnitude, plus three balanced line inputs- it's my kind of configuration- as long as it sounds good!
It's not audio jewelry, but if it sounds good in the system, I'll be happy.
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