I'm interested in the theory on using resistors in the traditional l-pad format vs. a single inline resistor of higher value (where applicable) resulting in the same level of driver attenuation. L-pad's seem to be largely benign with other crossover components and have little impact on sonic purity.
Would a single inline resistor of higher value interact differently with other xover components than a traditional L-pad circuit?
Should the resistor(s) be placed before or after the xover?
Can an audio grade resistor (i.e, mills) be used in tandem with a standard audio taper potentiometer to produce a "hi-fi" variable gain control? (The ready made volume pots seem to be less than ideal)
Would a single inline resistor of higher value interact differently with other xover components than a traditional L-pad circuit?
Should the resistor(s) be placed before or after the xover?
Can an audio grade resistor (i.e, mills) be used in tandem with a standard audio taper potentiometer to produce a "hi-fi" variable gain control? (The ready made volume pots seem to be less than ideal)
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