Recently, I visited the local borders to qualm my boredom and picked up a copy of the "Masters Handbook of Acoustics by F. Alton Everest" and have been quite preoccupied with reading this bible of an acoustic book. He discusses the use of Quadratic Residue Diffusors and use of absorbent panels to control reflections/resonances, although he doesn't go into intense detail about the parameters of the concepts and how to accurately and optimally design one. I'd like to apply some of his ideas into my setting and apply some modest acoustic treatments.
I have done some research on the web (miscellaneous webpages and calculators) and made the connection between well width to upper frequency extension and well depth to lower frequency extension, but have not found a correlation between the use of a smaller/larger prime number. Do I need to diffuse >10khz (20khz) or does that diffuse itself? What is a good material and thickness to seperate the wells?
The use of 4" of Corning Owens 703 Rigid Fiberglass also seems more than reasonable (and very effective from the graphs in the Masters Handbook of Acoustics). Should I just place this on the wall? What have you guys done to make it aesthetically pleasing?
I have done some research on the web (miscellaneous webpages and calculators) and made the connection between well width to upper frequency extension and well depth to lower frequency extension, but have not found a correlation between the use of a smaller/larger prime number. Do I need to diffuse >10khz (20khz) or does that diffuse itself? What is a good material and thickness to seperate the wells?
The use of 4" of Corning Owens 703 Rigid Fiberglass also seems more than reasonable (and very effective from the graphs in the Masters Handbook of Acoustics). Should I just place this on the wall? What have you guys done to make it aesthetically pleasing?
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