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of August in April

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  • of August in April

    from today's edition of "the Writer's Almanac"

    It’s the birthday of playwright August Wilson, born the year 1945 in Pittsburgh, Pennsylvania.

    His lifework included a series of 10 plays, known as The Pittsburgh Cycle, that explored the African-American experience, mostly in Pittsburgh, during the 20th century. Two of the plays, Fences (1987) and The Piano Lesson (1988), won Pulitzer Prizes. About playwriting, he said: “I once wrote a short story called ‘The Best Blues Singer in the World’ and it went like this: ‘The streets that Balboa walked were his own private ocean, and Balboa was drowning.’ End of story. That says it all. Nothing else to say. I’ve been rewriting that same story over and over again. All my plays are rewriting that same story. I’m not sure what it means, other than life is hard.”

    Wilson grew up in a poor neighborhood of Pittsburgh called “The Hill.” He had six siblings, and his father, a German baker and pastry cook, was often absent. As a teenager, he was always in the Carnegie Library of Pittsburgh, reading. After a teacher accused him of plagiarizing a paper on Napoleon, he dropped out and decided to just go to the library every day, where he devoured Dylan Thomas and read every book he could get his hands on. He spent so much time in that library that after he became a famous playwright, the Carnegie Library awarded him an honorary high school diploma, the only one they ever bestowed.

    Wilson spent three years in the Army, worked as a short-order cook, a porter, a dishwasher, and a gardener, before deciding to try and make it as a writer. He bought a stolen typewriter for $20.00 and began pounding out poems. He liked to write on napkins in bars, cigar stores, and caf├ęs, listening to the way people spoke and what they talked about.

    Wilson founded a theater company called Black Horizons Theatre in The Hill district in Pittsburgh. He didn’t know anything about directing plays, so he simply took out a theater-directing manual from the library and learned. The group performed his first play, Recycling, in 1968 in schools, public housing community centers, and small theaters. They charged 50 cents a ticket.

    Years later, when Wilson’s play Fences opened on Broadway, it made $11 million in a year, setting a record. Other plays in The Pittsburgh Cycle include Jitney (1982), Joe Turner’s Come and Gone (1986), and Radio Golf (2005).

    In the early 1960s, August Wilson discovered the blues, in particular, the music of Ma Rainey. The sound and syncopation of blue music would have a profound impact on his writing. He said: “Blues is the bedrock of everything I do. All the characters in my plays, their ideas and their attitudes, the stance that they adopt in the world, are all ideas and attitudes that are expressed in the blues. If all this were to disappear off the face of the earth and some people two million unique years from now would dig out this civilization and come across some blues records, working as anthropologists, they would be able to piece together who these people were, what they thought about, what their ideas and attitudes toward pleasure and pain were, all of that. All the components of culture. Just like they do with the Egyptians, they piece together all that stuff.

    “And all you need is the blues. So to me the blues is the book, it’s the bible, it’s everything. My greatest influence has been the blues. And that’s a literary influence, because I think the blues is the best literature that we as black Americans have.”

    August Wilson died in 2005.


    Practicing Curmudgeon & Audio Snob
    ....just an "ON" switch, Please!

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