Let’s see if there’s any consensus about this.
For HT we want the front wall absorptive as low and high in frequency as possible. The rear wall diffusive and the side walls a mixed bag of diffusion and absorption. The ceiling mostly diffusive with a touch of absorption and the floor absorptive.
For 2-channel music the front portion of the room should be lively and diffusive, floor to walls to ceiling and the rear end of the room absorptive.
For multi-channel music the ….?
Bass traps applied mostly to corners and if you have the know-how, panel traps and Helmholtz resonators where appropriate in frequency and location.
I’m not stating, I’m asking. Wish for those who’ve actually put saw to wood and felt the itch of fiberglass in their boxers to respond.
For HT we want the front wall absorptive as low and high in frequency as possible. The rear wall diffusive and the side walls a mixed bag of diffusion and absorption. The ceiling mostly diffusive with a touch of absorption and the floor absorptive.
For 2-channel music the front portion of the room should be lively and diffusive, floor to walls to ceiling and the rear end of the room absorptive.
For multi-channel music the ….?
Bass traps applied mostly to corners and if you have the know-how, panel traps and Helmholtz resonators where appropriate in frequency and location.
I’m not stating, I’m asking. Wish for those who’ve actually put saw to wood and felt the itch of fiberglass in their boxers to respond.
Comment